A show performed in the intimate setting of the Sam Wanamaker Playhouse is truly a unique experience. Nestled within the larger and more renowned Globe Theatre, this smaller, intimate space evokes a sense of stepping back in time. The theatre’s design, featuring wooden galleries with benches and the warm glow of candlelight, creates an atmosphere that perfectly complements a Shakespearean production. The ambiance alone feels like a time machine to the Elizabethan era, making it the ideal venue for such a performance.
As someone who wouldn’t consider themselves a huge Shakespeare fan and only knows the most popular of his works, I wasn’t sure what to expect from Cymbeline. However, this production turned out to be a hidden gem. From start to finish, it was captivating, immersive, and thoroughly engaging. It kept the audience completely focused, our eyes glued to the stage, holding our breath in anticipation of each twist and turn.
The story of Cymbeline revolves around the Queen of Britain, who has banished her daughter’s new wife after discovering their marriage. The tale that unfolds is one of deceit, betrayal, seduction, and even murder, with moments of unexpected humour woven into the tragedy. The narrative’s complexity is balanced beautifully by the performances, which brought the text to life in ways that felt accessible and powerful.
Saroja-Lily Ratnavel was, without a doubt, the standout performer for me. Her portrayal during the funeral scenes was heart-wrenching, and her voice resonated with such raw emotion that it brought tears to my eyes. On the other hand, Pierro Neil-Mee added levity to the play through his scenes of seduction and hilariously simulated moments of intimacy, drawing genuine laughter from the audience amid the tragedy. The contrast between these tones gave the play a dynamic quality that kept us engaged.
The first act served as a steady introduction to the characters and the central plot, carefully setting the stage for what was to come. The second act, in contrast, was a whirlwind of action, with so much happening that you could barely take your eyes off the stage. It was fast-paced and thrilling, driving the story to its dramatic conclusion.
For devoted Shakespeare fans, this production of Cymbeline was undoubtedly remarkable, showcasing the talent and creativity of its cast and crew. However, even for newcomers like me, who are still exploring Shakespeare’s works, it was a fantastic entry point. The stunning setting of the Sam Wanamaker Playhouse elevated the experience, offering a visceral sense of history and authenticity.
That said, the traditional benches weren’t the most comfortable. However, the sheer beauty of the space and the outstanding quality of the performance more than made up for this minor inconvenience. It truly felt as though I was watching a production in Elizabethan times, which made the experience all the more magical.
Whether you’re a seasoned Shakespeare enthusiast or simply looking for a fresh way to experience his works, this production of Cymbeline is great watch!
Playing until 20th April, https://www.shakespearesglobe.com/whats-on/cymbeline/
Reviewer: Zain Russell
Reviewed: 23rd January 2025
North West End UK Rating: