West Midlands Archives - Page 3 of 14

15May

By Peter KinnockNo Comments

West Midlands

Withnail and I – Birmingham Rep

“We want the finest wines available to humanity, we want them here and we want them now!” You either know this cult film tottering on the brink of its fortieth anniversary or, like me, you’ve remained blissfully unaware of its merits over that period. But as the big 40 approaches perhaps it’s time to acquaint myself with it, doff my cap and say hi. It seems this version, ably helmed by Sean Foley, embellishes and only slightly strays off the beaten path of the film, but this is not a bad thing. In 1987 Richard E. Grant and Paul McGann, both unknowns tottering on the brink of stardom, undertook the roles of two unemployed actors in a tale loosely adapted from the life of writer/director Bruce Robinson. The film found a following which soon coalesced into a cult and has remained so ever s...

15May

By Annette NuttallNo Comments

West Midlands

Sister Act – Birmingham Hippodrome

When a show is running in London and on a national tour at the same time, you know there must be something special about that show. Based on the 1992 film of the same name, but with different songs, the lively and fun Sister Act musical arrives in Birmingham this week for a short run. This show tells the tale of wannabe singer Deloris Van Cartier. She inadvertently witnesses a murder and goes into protection in the most unusual of places, a church convent. Can she blend in with the nuns? Can anything improve their singing? The stage was filled with strong vocal performances throughout from every singer. These were only matched by the characterisation of every part, from the enthusiastic young nun to the reliable policeman and everyone in between. Landi Oshinowo was faultles...

2May

By Robert BartleyNo Comments

West Midlands

Love Never Dies – Wolverhampton Grand

When Andrew Lloyd Webber’s ‘Phantom’-follow-up ‘Love Never Dies’ hit the West End in 2010, it opened to a critical mauling that led to the show being closed to allow significant reworking. The press still wasn’t too kind, with some jokingly retitling the show as ‘Paint Never Dries’. While the show never stood a chance of replicating the success of its predecessor, there is still a lot of love for it in theatreland, as showed by the standing ovations at the Drury Lane concerts last year. And now it’s time for the country’s amateur groups to have a bash, starting with the West Bromwich Operatic Society (WBOS), who are performing the show this week at the Wolverhampton Grand. Loosely based on the 1999 novel ‘The Phantom Of Manhattan’ by Frederick Forsyth, ‘Love Never Dies...

1May

By Peter KinnockNo Comments

West Midlands

Blood Brothers – Birmingham Hippodrome

It’s not surprising that two of the greatest, and longest-lasting, touring shows in the history of the British theatre (“Blood Brothers” and “Joseph”) have outlasted the producer of both, Bill Kenwright. It was his acumen as well as his insight which spotted their potential for longevity - and he was certainly proved right. Not only was Kenwright a powerhouse of theatre production for many years, but the progenitor of numerous solid, lucrative tours giving work to hundreds, if not thousands, of actors, singers and dancers. It’s with these two shows Kenwright will be synonymous, and both have toured forever without a conclusion in sight. “Joseph” has lasted pretty much continuously for forty years with “Blood Brothers” trailing behind with a mere thirty or so under its belt. Where “Joseph” ...

24Apr

By Peter KinnockNo Comments

West Midlands

Life of Pi – Wolverhampton Grand

I remember reading Yann Martel’s dazzling Booker-prize-winning novel “Life of Pi” in a youth hostel in San Francisco and being so consumed with it I nearly missed a trip to the Golden Gate Bridge. It really is a cracking novel and such a wonderful whirl of magic realism and bright, laugh out loud comedy. I dodged the film when it came out in case it spoiled my memories of the book, so it was with some trepidation I approached the stage version. I needn’t have worried. Piscine “Pi” Patel is the son of a Pondicherry zoo keeper who tells a tall, but convincing, tale of surviving days adrift in open sea with only a Bengal tiger for company. A Bengal tiger named Richard Parker, no less. The playwright Lolita Chakrabarti takes the story and deftly reassembles the narrative into a spectacular ...

28Mar

By Peter KinnockNo Comments

West Midlands

Minority Report – The Rep, Birmingham

Science fiction doesn’t work on stage. There I’ve said it. Someone had to. What was the last great science fiction stage play you saw? No, me neither. It’s a genre born of, and best suited to, cinema. From Metropolis to Dune sci-fi’s visual imagery has played equal part to its plots and philosophy. Sadly, no matter how dexterous and inventive the stage design, it’ll never quite capture a cinematic experience. Though, without doubt, one of the more outstanding elements of this production is Tal Rosner’s ethereal digital design perfectly evoking the virtual world of the near future. The play, based of Phil K.Dick's short story riddled with Cold War paranoia, is about pre crime. The capacity to identify a murderer before they commit a murder and arrest them. Whilst this is explained by the...

8Mar

By Peter KinnockNo Comments

West Midlands

Wicked – Birmingham Hippodrome

“There’s No Place Like Brum!” There’s certainly no place Brum for the next few weeks as the international green-faced, broomstick-wielding, hit-stuffed mega-musical drops its house on the stage of the Birmingham Hippodrome which it will be calling no place like home until the 7th April. “Wicked” erupted on Broadway in a flume of green smoke 21 years ago and has been dazzling us with a rainbow of pizzazz ever since. Stemming from Gregory Maguire’s 1995 revisionist exploration of the characters from L.Frank Baum’s 1900 novel “The Wonderful Wizard of Oz” itself adapted into the cloyingly sentimental and techo-surrealist 1939 movie starring Judy “Slippers” Garland, “Wicked” has become the mainstay of both West End and Broadway with many an actress donning the Shrek-hued make-up and defyi...

And Then There Were None – The Alexandra

6Mar

By Peter KinnockNo Comments

West Midlands

And Then There Were None – The Alexandra

When first I read “And Then There Were”, a novel sensibly shorn of its original title, I closed the final page convinced that no one for a thousand pounds could work out how the murder was done. The explanation was so profoundly improbable and bizarrely unlikely as to warrant a well-deserved grunt and a huff and a sigh of incredulity from this reader. However, despite my lowly opinion, the book has found its place as a (if not “the”) best-selling crime novel of all time. Quite a claim in such a packed genre with everyone from Richard Osman to Alan Titchmarsh having a crack. We love murders! We love detectives - be they little old ladies, vain Belgians or high-functioning sociopaths in deerstalkers. This tome by the indisputable monarch of murder, Agatha Christie, (Dame of the British Empir...

Bhangra Nation: A New Musical – Birmingham Rep

2Mar

By Priya GuptaNo Comments

West Midlands

Bhangra Nation: A New Musical – Birmingham Rep

2024 starts with a bhang! Dancing just got serious! The Birmingham Rep presents the UK Premiere of Bhangra Nation. This is a sensational new show about finding your true self and explores the thrilling world of competitive Bhangra dancing. The story follows a university Bhangra dance team. When teammates Mary and Preeti's Bhangra team qualifies for Nationals, they set off on opposing quests to dance to their own beat. Preeti believes that the team needs to stick to tradition, but Mary is passionate about shaking things up to belong to today. Drawing from competitive Bhangra and mixing it with other Indian and Western dance forms, Bhangra Nation – A New Musical is a brash, intoxicating, and joyous musical comedy for today. Photo: Crai-Sugden We are instantly transporte...

An Officer and a Gentlemen – Alexandra Birmingham

28Feb

By Peter KinnockNo Comments

West Midlands

An Officer and a Gentlemen – Alexandra Birmingham

Like “Dirty Dancing” before it, yet another of the screen to stage transmutations which seem to proliferate currently, “An Officer and a Gentlemen” has a single, vibrant choreographic image around which all else might be considered mere dressing. He lifts her up (presumably where she belongs) and carries her from the factory surrounded by applauding workers and colleagues. So ingrained is that image in my mind I can recall it without any research 42 years after its release! Such is the power of screen, but what of stage? In the highest grossing movies of 1982 only ET and Tootsie* elbowed “An Officer and a Gentleman” into third place just above Rocky III - which, I’m sure, would make an excellent ballet - proving itself a huge success for Richard Gere, Debra Winger and the very shouty Lo...