Scotland Archives - North West End UK

30Jan

By Greg HolsteadNo Comments

Scotland

Moments – The Studio

In the classic time-loop film Groundhog Day, tv reporter, Phil (Bill Murray) attempts over and over again to create the perfect day, a series of carefully choreographed ‘moments’, with his attractive producer Rita (Andie MacDowell), in an attempt to win her heart. Only to be thwarted, often at the last moment, hilariously, time and time again. Some fans calculate the time-loop at 12,403 days! Theatre Re bring their own, thankfully shorter, time-loop to The Studio tonight to wordlessly consider, and reconsider, the powerful bond between a father and a son, and the ‘casting off’ which marks the end of one generation and the beginning of the next. Twelve and a half years after Theatre Re, premiered their particular brand of thoughtful and thought provoking theatre at Pleasance Dome...

Pretty Vacant: The Story of Punk and New Wave – Usher Hall

29Jan

By Nazaret RaneaNo Comments

Scotland

Pretty Vacant: The Story of Punk and New Wave – Usher Hall

Punk was never about perfection, and Pretty Vacant – The Story of Punk and New Wave definitely stuck to that ethos. Hitting the stage at Edinburgh’s Usher Hall on the 28th of January, the show set out to celebrate one of the most rebellious, game-changing movements in music history. And while the music absolutely delivered, the rest of the production felt a little basic—fun, but not quite as explosive as it could have been. The best thing about the night was, hands down, the setlist. From The Sex Pistols and The Clash to Blondie and The Ramones, the show was packed with classics. Hearing God Save the Queen and London Calling live—well, as live as a tribute show gets—still gave me chills. And when they launched into Blondie’s Heart of Glass, it was a perfect shift into the smoother, more...

27Jan

By Roger JacobsNo Comments

Scotland

Mary Poppins – Festival Theatre

In P.L. Travers’s book, ‘tossed and bent under the wind’, Mary is thrown ‘bag and all, at the front door’ by an east wind, at which ‘the whole house shook’. Here (as in the film), despite the proximity of Storm Eowyn, her arrival and appearance are ‘practically perfect’*, all spit-spot and efficiency. Which pretty much describes this abundant sweetshop of a production; it dazzled, shone, all slick, gloss and polish, which, given its producers (the hyper-successful Cameron Mackintosh and Disney Theatrical Group), was not surprising. Which can be an issue with these huge shows where the creative team includes no less than two responsible for ‘set design adaptation’ and two whose remit is ‘illusions’. Technically, everything (and the kitchen sink) is thrown in, from small prop details like...

The Merchant of Venice – Royal Lyceum Theatre

23Jan

By Oliver GigginsNo Comments

Scotland

The Merchant of Venice – Royal Lyceum Theatre

The Theatre for a New Audience production of William Shakespeare's The Merchant of Venice is, of course, not set in Venice. Instead, we are in an American city in the near future, though the play's fidelity to Shakespeare's script largely confines this setting to its physical set, designed by Riccardo Hernandez (a brutalist concrete set of steps before two rectangular doors and a circular window), the presence of costume designer Emily Rebholz' suits and mobile phones and, of course, the Jewish characters being portrayed by Black actors (the link between two different intolerances aided by the fact the play has racist as well as antisemitic portions). This limits what the play can do to what Shakespeare did with it and, unfortunately, Shakespeare by today's standards is an antisemite. I...

22Jan

By Greg HolsteadNo Comments

Scotland

Rocky Horror Show – Edinburgh Playhouse

Midway through its UK tour, The Rock Horror Show is a franchise which retains its cult appeal and an ardent band of followers despite being over fifty years old. And there were no complaints here from the almost full audience, who cheered and bayed and provided the necessary responses at the appropriate times, and also plenty of unnecessary responses at inappropriate times! This time around, ex-Neighbours star, 56-year-old Jason Donovan takes on the alien, transvestite scientist lead role as the mercurial Frank-N-Furter. Donovan’s Frank is a languid, louche and limp-wigged affair, more aging aunt than sexy vamp. This is Dame Edna in stockings and suspenders, and for me at least, it doesn’t entirely pay off. Given the look and the speed of delivery, which is generally a slow, eye-rollin...

12Jan

By Wendy McEwanNo Comments

Scotland

PASS Double Bill – Traverse Theatre

The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces, created in collaboration with Dance Base. First up, the cryptically titled YGNEREME. The blurb in the programme talks about grief, collective action and emergency. A single dancer, Clara Browning, moves playfully in a spotlight, but then something changes and she is swept away by the collective. Assimilated, if you like. There is a pulse-driven techno soundtrack which enhances the feeling of ritual, and of not being quite what one was before – the sounds being machine-like. The rituals we use to navigate grief have ancient roots, and their comfort comes from following a well-established path. The movements emphasise rhythm and are all about the collective: there are few moments where individu...

11Jan

By Kathleen MansfieldNo Comments

Scotland

The Nutcracker – Festival Theatre

Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker. It's a wonderful escape on a sub-zero evening. The orchestra is superb and Daniel Parkinson’s musicians deliver Tchaikovsky’s score with aplomb and tenderness in turn. The corp de ballet and the principals effortlessly float and gracefully swirl as if the demanding choreography were simple. The layered, cosy set is like a warm hug. It draws you in and cradles you in its dreamworld. Within this cocoon, enjoy the antics of dizzy old Aunts, the swish of crinoline and the magic of Christmas presents, friends and family before transitioning to Clara’s dreamworld. Photo: Andy Ross Lighting by George Thomson adds greatly. Set, lighting and costumes support and showca...

8Jan

By Nazaret RaneaNo Comments

Scotland

Bat Out of Hell – Edinburgh Playhouse

Walking into the Edinburgh Playhouse, I wasn’t entirely sure what to expect from Bat Out of Hell. I’d heard the rave reviews and knew of Meat Loaf’s legendary anthems, but would it translate into a compelling night of theatre? As I was not familiar with the story, I had my doubts but by the time the final note rang out, my question was answered with a resounding yes! Right from the opening moments, the show makes its intentions clear: it’s big, it’s bold, and it’s not afraid to embrace its madness. Backed by an incredible eight-piece live band, the production hurtles forward at full speed. The stage transforms into a dystopian world filled with rebellion and romance, brought to life by Jon Bausor’s stunning set design. One moment we’re in dark underground tunnels; the next, a teenager’s...

Mrs Peacock’s Feathers – Alexander House, Auchterarder

21Dec

By Caroline WorswickNo Comments

Scotland

Mrs Peacock’s Feathers – Alexander House, Auchterarder

In the depths of the Scottish countryside, I attended the birthday party celebrations of a close friend. Alexander House was the perfect setting to host such an event, and in the evening, it functioned as the stage for quite a different theatrical experience. The challenge for this company of actors, was to entertain the seventeen guests with a murder mystery evening, without prior knowledge that they were entertaining a theatre reviewer, and two police officers! The theatre company that was booked for the evening were ‘Can You Catch The Killer?’ a company specialising in staging murder mystery events at a location chosen by the client. Our remote house added another layer of eeriness to the proceedings, which were completely managed by the company. The evening c...

Trouble In Spiritland – Traverse Theatre

18Dec

By Roger JacobsNo Comments

Scotland

Trouble In Spiritland – Traverse Theatre

A story written as a poem by performer Paul Tinto (Guilt, King Lear, Outlander, The Last Post). An epic, complex poem no less, mining for the roots of how in heaven’s name the planet’s most dominant inhabitants have driven it into the state it’s in in 2024. Running to 156 pages in a spanking hardback it’s available for purchase after the show, a boon, since plenty bears re-reading over a pint. Whereupon a couple of lines rise from the text, striking at the heart of the endeavour, Lust telling us we live in a world ‘where saints share the streets with the damned’. Why else would ‘Hate’, the bastard son of ‘Fear’ exerts such an influence on proceedings? Tinto stalks the stage, drawing us into intimacy, then, propelled by Abbott’s playing, beating us back into our seats with raw tirade...