REVIEWS Archives - Page 4 of 433

22Jan

By Paul WilcoxNo Comments

North West

Calamity Jane – Opera House

Aaahh, Calamity Jane; evoking warm childhood memories of sitting on a Sunday afternoon in front of the TV with my late Mum, watching Doris Day (in implausibly pristine buckskin) sparring with Howard Keel in the iconic 1953 film. I clearly was not alone in my wistful nostalgia this evening, with a packed press night audience forsaking hearth and home during a freezing January, to rapturously welcome this stage version as it sets off on a 29 city tour of the UK over the next six months. They were rewarded with a show which revels in its sentimentality but has enough heart and humour to send even the most cynical critic home humming its memorable songs. An example of screen inspiring stage rather than vice versa, ‘Calamity Jane’ didn’t arrive on stage until nearly a decade after the movie ...

20Jan

By Zain RussellNo Comments

London

Man in the Mirror – Churchill Theatre

Man in the Mirror is a thrilling tribute concert to the King of Pop, Michael Jackson. Starring CJ as the iconic artist, the show features a live band, talented backup dancers, and powerhouse singers that take you on a journey through MJ’s illustrious career. From the opening number to the final encore, the energy is electric, and you’ll find yourself wanting to "Rock with You" from start to finish. The concert included all of Michael Jackson’s greatest hits, including memorable tracks from his time with the Jackson 5. The audience was treated to everything that we know and love from “I Want You Back” to solo classics like “Billie Jean,” “Beat It,” “Dirty Diana” and “Black and White” creating a setlist that felt like a true celebration of the King of Pop. Production-wise, this show is...

Copla: A Spanish Cabaret – The Other Palace

20Jan

By Michelle KnightNo Comments

London

Copla: A Spanish Cabaret – The Other Palace

The intimate setting for this one DIVA show was not to be underestimated. The prelude music set the mood but not the tone or what was to be unleased on the audience. What is Copla? A question people could not answer and until now. Alejandro introduced himself to the audience before walking onto the stage. He embarked on a journey of personal self-discovery, an education into Spanish politics under the regime of Franco, Catholicism and of course the music. This was a story about life in Spain as a gay man, his roots in the LGBTQ+ community with the influences, the censorship which impacted his life and that of others around him. Video projections peppered the performance with Spanish, and English Diva’s sharing their versions of the songs of the music of Copla intertwined wi...

20Jan

By Ben PearsonNo Comments

London

Totally Fine – The Hope Theatre

A therapist in mandated therapy, what could possibly go wrong? Susanna Wolff’s one-woman dark comedy, Totally Fine, exposes the stresses and strains that come with being a therapist. Her character, a therapist who remains nameless, insists she is ‘totally fine’ and this whole therapy session is pointless. Somehow, that seems unlikely. The script, written by Wolff, is tightly crafted and exceptionally clever. Even the seemingly inconsequential jokes having pay offs, combined with a slowly unravelling mystery, keep the audience engaged throughout, culminating in an earned and effective finale. Wolff manages to peel back the layers of our protagonist, deftly dancing between comedy and tragedy without ever losing momentum. Not a single line is wasted, no mean feat in a one-person show. W...

18Jan

By Ralph JeffreysNo Comments

London

A Good House – Royal Court

Following the struggle of new residents Sihle and Bonolo to adjust to their new neighborhood of Stillwater, A Good House is a brilliantly tense and funny examination of race and community politics. The sudden appearance of a makeshift shack is what drives the action of the play, as Stillwater’s white residents try to get Bonolo and Sihle to become the faces of the plan to evict the squatters. This is a truly masterful piece of writing. Amy Jephta’s script is intricate and layered, and where the most obvious tension is between Stillwater’s black and white residents, this never becomes reductive. For example, Jephta layers in class politics between Sihle and Bonolo - in Sihle’s words Bonolo has always been “bougie as fuck’. These and many other layers prevent an argument heavy script from...

18Jan

By Carole GordonNo Comments

London

Kyoto – Soho Place

Rarely can a play genuinely be labelled as an "important piece of theatre”, but Joe Murphy and Joe Robertson's Kyoto is firmly in that category. Fresh from its critically acclaimed run in Stratford-upon-Avon, Kyoto offers a tense and challenging insight into the process of what John Prescott called "diplomacy by exhaustion". And rarely has a play been so topical. With wildfires raging and floods destroying communities, while some politicians and commentators continue to deny the existence of man-made climate change, Kyoto is a much-needed history lesson, a demonstration of what is diplomatically possible as well as a grim warning for the future if governments fail to act. The nations of the world have got together to discuss climate change and attempt to agree to targets and...

Spotlight on Showstoppers – Rainhill Village Hall

18Jan

By Stephanie WiswallNo Comments

North West

Spotlight on Showstoppers – Rainhill Village Hall

An evening of energy and laughter with Rainhill Musical Theatre Company and their concert ‘Spotlight on Showstoppers' which showcases crowd pleasing favourites from old and new musicals. With a cast of only 10 including wonderful harmonies and performances from Pip Bradshaw, Ruth Gibb and Suzi Davies, they did a tremendous job in keeping us all entertained. A few favourites stood out and had the audience talking from a beautiful ballad of 'Tell me it's not true' performed by Barbara Marsh to lively and upbeat 'All that Jazz' confidently performed by Claire Jones. Claire Heaton was there to get the audience clapping and singing along with her rendition of 9 to 5 and Meg Charlton and Claire Jones performed 'What is this feeling?' from Wicked excellently, it was very entertaining ...

18Jan

By Max EdenNo Comments

North West

Swan Lake – Opera House

It’s January, it’s cold but last night attending Swan Lake at the Manchester Opera House, brought to life by the supremely talented Mergaliyev Classical Ballet, was nothing short of magical. It was the perfect tonic for the January Blues. This timeless masterpiece, with Tchaikovsky’s exquisite score conducted by the masterful Guntars Bernats, transported us to a realm of beauty, grace, and wonder—a perfect escape from the hustle and bustle of modern life. The troupe’s exceptional talent was evident from the very first scene. Nilay Tahiroglu, as Odette, delivered a performance of breathtaking finesse. Her delicate movements and emotional depth captured the swan princess’s vulnerability and strength with stunning precision. I also have to mention Kadir Okurer who was outstanding as the...

The Tales of Hoffmann – Royal Ballet & Opera

18Jan

By Mark DavorenNo Comments

REVIEWS

The Tales of Hoffmann – Royal Ballet & Opera

Offenbach’s The Tales of Hoffmann is one of his most enduring operas, with the suggestion that it is incomplete – it premiered some four months after its composer’s death – lending it to interpretation which director Damiano Michieletto has taken full advantage of here in this lavishly visual staging which weaves magic and mystery through oft-imagined memories. At the tavern, poet Hoffmann (Juan Diego Flórez) is losing himself to drink. His rival in love, Councillor Lindorf (Alex Esposito), claims that Hoffmann knows nothing of the heart, and so goads Hoffmann into telling the tales of his three great loves – each destroyed by a villain who bears an uncanny resemblance to Lindorf… Accompanied by Nicklausse (Julie Boulianne), the oft ignored voice of reason throughout, Hoffmann te...

Bernstein, Barber and Glass – Royal Liverpool Philharmonic Orchestra

18Jan

By Johanna RobertsNo Comments

North West

Bernstein, Barber and Glass – Royal Liverpool Philharmonic Orchestra

Young said in an interview on KALW in 2023 that he wants his shows to be ‘not only accessible but relatable’, as there is ‘music out there with which the audience may not be familiar’. This all-American programme, which sees a selection of dances from Bernstein’s West Side Story and On the Town combined with works by Barber and Glass not only reflected this ethos but also clearly demonstrated why Young is one of the most compelling conductors of the current day. Young, who in his youth was surrounded by band and gospel music, knew he wanted to be a conductor from the age of 16. Barber, whose family included several famous musicians, was even younger in deciding his future in music, telling his mother at the age of 7 that he wanted to be a composer. His earlier style is characterised...